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The characters serve to advance the action of the story, not vice verse. The ends we pursue in life, our happiness and our misery, all take the form of action. Tragedy is written not merely to imitate man but to imitate man in action. That is, according to Aristotle, happiness consists in a certain kind of activity rather than in a certain quality of character. As David Daiches says: ‘the way in which the action works itself out, the whole casual chain which leads to the final outcome.’ Diction and Thought are also less significant than plot: a series of well-written speeches has nothing like the force of a well-structured tragedy. Lastly, Aristotle notes that forming a solid plot is far more difficult than creating good characters or diction. Having asserted that the plot is the most important of the six parts of tragedy, he ranks the remainder as follows, from most important to least: Character, Thought, Diction, Melody, and Spectacle. Character reveals the individual motivations of the characters in the play, what they want or don't want, and how they react to certain situations, and this is more important to Aristotle than thought, which deals on a more universal level with reasoning and general truths. Diction, Melody/ Songs and Spectacle are all pleasurable accessories, but the melody is more important in tragedy than spectacle.
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