Sunday 18 March 2018

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THE ESL ACADEMY BY SIRRANA..

πŸ‘‰πŸ»Medieval literature and Medieval Period in History of English Literature..


πŸ‘‰πŸ»πŸ‘‰πŸ»πŸŒΉJOIN TO LEAR AND TEACH SIRRANA


πŸ‘‰πŸ»Medieval literature is a broad subject, encompassing essentially all written works available in Europe and beyond during the Middle Ages (that is, the one thousand years from the fall of the Western Roman Empire ca. AD 500 to the beginning of the Florentine Renaissance in the late 15th century). The literature of this time was composed of religious writings as well as secular works. Just as in modern literature, it is a complex and rich field of study, from the utterly sacred to the exuberantly profane, touching all points in-between. Works of literature are often grouped by place of origin, language, and genre.
πŸ‘‰πŸ»πŸ‘‰πŸ»✋🏼Since Latin was the language of the Roman Catholic Church, which dominated Western  and Central Europe, and since the Church was virtually the only source of education, Latin was a common language for medieval writings, even in some parts of Europe that were never Romanized. However, in Eastern Europe, the influence of the Eastern Roman Empire and the Eastern Orthodox Church  made Greek and Old Church Slavonic the dominant written languages.

The common people continued to use their respective vernaculars. A few examples, such as the Old English Beowulf, the Middle High German Nibelungenlied, the Medieval Greek Digenis Acritas, the Old East Slavic Tale of Igor's Campaign, and the Old French Chanson de Roland, are well known to this day. Although the extant versions of these epics  are generally considered the works of individual (but anonymous) poets, there is no doubt that they are based on their peoples' older oral traditions. Celtic traditions have survived in the lais of Marie de France, the Mabinogion and the Arthurian cycles. Another host of vernacular literature has survived in the Old Norse literature and more specifically in the Saga literature of Iceland.


πŸ‘‰πŸ»πŸ‘‰πŸ»SirRana..

πŸ‘‰πŸ»πŸŒΉTheological works were the dominant form of literature typically found in libraries during the Middle Ages. Catholic clerics were the intellectual center of society in the Middle Ages, and it is their literature that was produced in the greatest quantity.

Countless hymns survive from this time period (both liturgical and paraliturgical). The liturgy itself was not in fixed form, and numerous competing missals set out individual conceptions of the order of the mass. Religious scholars such as Anselm of Canterbury, Thomas Aquinas, and Pierre AbΓ©lard wrote lengthy theological and philosophical treatises, often attempting to reconcile the teachings of the Greek and Roman pagan authors with the doctrines of the Church. Hagiographies, or "lives of the saints", were also frequently written, as an encouragement to the devout and a warning to others.

The Golden Legend of Jacobus de Voragine  reached such popularity that, in its time, it was reportedly read more often than the Bible. Francis of Assisi was a prolific poet, and his Franciscan followers frequently wrote poetry themselves as an expression of their piety. Dies Irae and Stabat Mater are two of the most powerful Latin poems on religious subjects. Goliardic poetry (four-line stanzas of satiric verse) was an art form used by some clerics to express dissent. The only widespread religious writing that was not produced by clerics were the mystery plays: growing out of simple tableaux re-enactments of a single Biblical scene, each mystery play became its village's expression of the key events in the Bible. The text of these plays was often controlled by local guilds, and mystery plays would be performed regularly on set feast-days, often lasting all day long and into the night.

During the Middle Ages, the Jewish  population of Europe also produced a number of outstanding writers. Maimonides, born in Cordoba, Spain, and Rashi, born in Troyes, France, are two of the best-known and most influential of these

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