Wednesday 11 April 2018

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πŸ‘‰πŸ»πŸ‘‰πŸ»πŸŒΉThomas Hardy was born in Dorset, England in 1840. As a novelist he is best known for his work set in the semi-fictionalized county of Wessex including, Tess of the d'Urbervilles and Jude the Obscure. He was also an accomplished poet.

πŸ‘‰πŸ»πŸ‘‰πŸ»Thomas Hardy was an English novelist and poet who set his work--including The Return of the Native and Far from the Madding Crowd--in the semi-fictionalized county of Wessex.

πŸ‘‰πŸ»πŸ‘‰πŸ»πŸ‘‰πŸ»πŸ‘‰πŸ»✋🏼A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England.

πŸ‘‰πŸ»πŸ‘‰πŸ»πŸ‘‰πŸ»✋🏼While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, therefore, he gained fame as the author of such novels as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles  (1891), and Jude the Obscure (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin.

πŸ‘‰πŸ»πŸ‘‰πŸ»Many of his novels concern tragic characters struggling against their passions and social circumstances, and they are often set in the semi-fictional region of Wessex; initially based on the medieval Anglo-Saxon kingdom, Hardy's Wessex eventually came to include the counties of Dorset, Wiltshire, Somerset, Devon, Hampshire and much of Berkshire, in southwest and south central England. Two of his novels, Tess of the d'Urbervilles and Far from the Madding Crowd, were listed in the top 50 on the BBC's survey The Big Read.

πŸ‘‰πŸ»πŸ‘‰πŸ»πŸŒΉConsidered a Victorian realist, Hardy examines the social constraints on the lives of those living in Victorian England, and criticises those beliefs, especially those relating to marriage, education and religion, that limited people's lives and caused unhappiness. Such unhappiness, and the suffering it brings, is seen by poet Philip Larkin as central in Hardy's works:

πŸ‘‰πŸ»"What is the intensely maturing experience of which Hardy's modern man is most sensible? In my view it is suffering, or sadness, and extended consideration of the centrality of suffering in Hardy's work should be the first duty of the true critic for which the work is still waiting .Any approach to his work, as to any writer's work, must seek first of all to determine what element is peculiarly his, which imaginative note he strikes most plangently, and to deny that in this case it is the sometimes gentle, sometimes ironic, sometimes bitter but always passive apprehension of suffering is, I think, wrong-headed."
πŸ‘‰πŸ»πŸ‘‰πŸ»πŸ‘‰πŸ»✋🏼Fate or chance is another important theme. Hardy's characters often encounter crossroads on a journey, a junction that offers alternative physical destinations but which is also symbolic of a point of opportunity and transition, further suggesting that fate is at work. Far From the Madding Crowd is an example of a novel in which chance has a major role: "

πŸ‘‰πŸ»Had Bathsheba not sent the valentine, had Fanny not missed her wedding, for example, the story would have taken an entirely different path. Indeed, Hardy's main characters often seem to be held in fate's overwhelming grip.

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