Tuesday 27 November 2018

The ESL ACADEMY BY SIR RANA..

πŸπŸ’R.A .N A SIR.

ROMANTICISM and Romantic Age..
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🍁Romanticism (also known as the Romantic era) was an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850.

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πŸ‘‰πŸΌBackground

Romanticism is the name given to a dominant movement in literature and the other arts – particularly music and painting – in the the period from the 1770s to the mid-nineteenth century:

It is regarded as having transformed artistic styles and practices
Like many other terms applied to movements in the arts, the word covers a wide and varied range of artists and practices
It is a retrospective term, applied by later literary, art and musical historians. None of the artists we refer to as Romantics would have so described themselves
It was a European phenomenon, particularly powerful in Britain, France and Germany, but also affecting countries such as Italy, Spain and Poland. There was also, to some extent, an American version of the movement.
Reaction to earlier age

Like many other literary movements, it developed in reaction to the dominant style of the preceding period:

The eighteenth century is often described by literary historians as the Augustan Age  because it sought to emulate the culture of the reign of the Roman Emperor Augustus (27 BCE – 14 CE)
Classical standards of order, harmony, proportion and objectivity were preferred – the period saw a revival of interest in classical architecture, for instance
In literature, Greek and Roman authors were taken as models and many eighteenth century writers either translated or produced imitations of poetry in classical forms
In its early years, Romanticism was associated with radical and revolutionary political ideologies, again in reaction against the generally conservative mood of European society.
Main features

Central features of Romanticism include:

An emphasis on emotional and imaginative spontaneity
The importance of self-expression and individual feeling. Romantic poetry is one of the heart and the emotions, exploring the ‘truth of the imagination' rather than scientific truth. The ‘I' voice is central; it is the poet's perceptions and feelings that matter.
An almost religious response to nature. They were concerned that Nature should not just be seen scientifically but as a living force, either made by a Creator, or as in some way divine, to be neglected at humankind's peril. Some of them were no longer Christian in their beliefs. Shelley was an atheist, and for a while Wordsworth was apantheist (the belief that god is in everything). Much of their poetry celebrated the beauty of nature, or protested the ugliness of the growing industrialization of the century: the machines, factories, slum conditions, pollution and so on.
A capacity for wonder and consequently a reverence for the freshness and innocence of the vision of childhood. See The world of the Romantics: Attitudes to childhood
Emphasis on the imagination as a positive and creative faculty
An interest in ‘primitive' forms of art – for instance in the work of early poets (bards), in ancient ballads and folksongs. Some of the Romantics turned back to past times to find inspiration, either to the medieval period, or to Greek and Roman mythology. See Aspects of the Gothic: Gothic and the medieval revival
An interest in and concern for the outcasts of society: tramps, beggars, obsessive characters and the poor and disregarded are especially evident in Romantic poetry
An idea of the poet as a visionary figure, with an important role to play as prophet (in both political and religious terms).

🍁Who were the Romantics?

Some authors have been regarded as pre-Romantic:

William Blake (1757-1827) a visionary poet who was also an artist and engraver, with a particular interest in childhood and a strong hatred of mechanical reason and industrialization;
Robert

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